A practical approach for the design of nonuniform lapped transforms

We propose a simple method for the design of lapped transforms with nonuniform frequency resolution and good time localization. The method is a generalization of an approach previously proposed by Princen, where the nonuniform filter bank is obtained by joining uniform cosine-modulated filter banks (CMFBs) using a transition filter. We use several transition filters to obtain a near perfect-reconstruction (PR) nonuniform lapped transform with significantly reduced overall distortion. The main advantage of the proposed method is in reducing the length of the transition filters, which leads to a reduction in processing delay that can be useful for applications such as real-time audio coding

Coding overcomplete representations of audio using the MCLT

We propose a system for audio coding using the modulated complex lapped transform (MCLT). In general, it is difficult to encode signals using overcomplete representations without avoiding a penalty in rate-distortion performance. We show that the penalty can be significantly reduced for MCLT-based representations, without the need for iterative methods of sparsity reduction. We achieve that via a magnitude-phase polar quantization and the use of magnitude and phase prediction. Compared to systems based on quantization of orthogonal representations such as the modulated lapped transform (MLT), the new system allows for reduced warbling artifacts and more precise computation of frequency-domain auditory masking functions

Radio Astronomy

Contains summary of research and reports on nine research projects.National Science Foundation (Grant AST81-21416)National Science Foundation (Grant AST82-14296)National Aeronautics and Space Administration (Grant S-10781-C)National Aeronautics and Space Administration (Grant NAGW-373)National Science Foundation (Grant AST79-19553)M.I.T. Sloan Fund for Basic ResearchNational Oceanic and Atmospheric Administration (Grant 04-8-M01-1)National Aeronautics and Space Administration (Grant NAG5-10)National Aeronautics and Space Administration (Contract NAS5-22929)Defense Advanced Research Projects Agency (Contract MDA 903-82-K-0521)Center for Advanced Television Studie

Cognitive Information Processing

Contains goals, background, research activities on one research project and reports on three research projects.Center for Advanced Television StudiesAmerican Broadcasting CompanyAmpex CorporationColumbia Broadcasting SystemsHarris CorporationHome Box OfficePublic Broadcasting ServiceNational Broadcasting CompanyRCA CorporationTektronix3M CompanyProvidence Gravure Co. (Grant)International Business Machines, Inc

Radio Astronomy

Contains reports on nine research projects.National Science Foundation (Grant AST 86-17172)National Aeronautics and Space Administration (Contract NAS7-918)Jet Propulsion Laboratory (Contract 958048)U.S. Navy - Office of Naval Research (Contract N00014-84-C-2082)U.S. Navy - Office of Naval Research (Contract N00014-86-C-2114)SM Systems and Research, Inc.National Aeronautics and Space Administration/Goddard Space Flight Center (Grant NAG5-10)Center for Advanced Television StudiesBrazil, Conselho Nacional de Desenvolvimento Cientifico e Tecnologico (Grant 300.832-82)National Aeronautics and Space Administration/Goddard Space Flight Center (Grant NAG5-537

Lossless and Near-Lossless Audio Compression Using Integer- Reversible Modulated Lapped Transforms

We present a simple lossless audio codec, composed of an integer-reversible modulated lapped transform (MLT) followed by a backward-adaptive run-length/Golomb-Rice (RLGR) encoder. Its compression performance matches those of state-of-the-art predictive codecs, and it has the advantage that its compressed bitstream contains frequency-domain data that can be used for applications such as search, identification, and visualization. Its compression gain can be improved through a novel data model based on cross-block smoothed spectral magnitude estimates. Its bitstream can be transcoded into a lossy format, for transfers to portable players, at about twice the speed of other codecs. The codec also supports a near-lossless mode, which allows for an extra factor of two in compression without noticeable distortions. 1